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On July 19, 1986, at 22:43, Li Eun-hee pressed the recording button in the shadows of the Confessional Room, but the tape head of her pocket recorder began to spin in reverse. The voice of the priest drifted in through the vent, carrying the characteristic bubbly tone of someone with chronic pharyngitis: "...the fourth sacrifice must complete the scale loop..."
Her pupils suddenly lost focus, and the residual image on her retina revealed metallic reflections within the ventilation duct. As she fought against dizziness to pry open the partition, a bundle of Platinum Hairpins burst forth like a nest of venomous snakes, each hairpin's teeth caught with shards of shark cartilage, arranged into a Geometric Model resembling the Seoul Cathedral Organ's sound stops.
"You shouldn't be here." Cui Meishan's voice came from behind her, moonlight illuminating her left foot clad in Military Orthopedic Boots. "The resonance at 55 Hertz will tear apart your vagus nerve..." She suddenly leaned back at a 55-degree angle, as if an invisible thread was pulling her into the shadows of the Confessional Room. The ink stains left on the floor began to seep with the stench of bone glue.
On September 5, 2002, at 04:29, the Mass Spectrometer indicated that the Crimson adhesive contained components of cow bone glue supplied by the church in 1988, but isotopic testing pointed to a bovine carcass that had died from mad cow disease in 1995. When I placed the sample into the Liquid Chromatography device, the monitor suddenly flashed surveillance footage from the fire scene in 1986—the frequency of the flames flickering matched perfectly with the rhythm of Requiem.
"Voiceprint Comparison results." The Forensic Expert Park triggered a dynamic sensor as he opened the door, and a holographic projection instantly filled the laboratory. On the waveform of that hoarse male voice, a dip appeared every 55 seconds: "The Vocal Cord Scar matches characteristics from a laryngeal cancer surgery in 1997, associated with the current principal..."
An alarm suddenly shrieked as smoke billowed from the ventilation ducts. I grasped at the melting Crimson amidst fire-fighting foam; a burning sensation shot from my palm to my heart—embedded within Crimson's shell was a piece of human ossicle, and its laser-etched markings were surprisingly a nano-level QR code patented by the military in 2015.
On July 20, 1986, at 01:12, Li Eun-hee discovered rows of glass jars in the church basement, various organs suspended in Formaline solution. In jar number 55, vocal cord tissue was wrapped in platinum wire forming an equilateral triangle. When she touched the specimen with tweezers, the liquid suddenly boiled over, projecting an image of the Olympic torch structure onto the wall.
"This is a resonance chamber for Sound Wave Weapons." The veteran Jin Zhehuan's prosthetic eye glowed red in the darkness. "The U.S. Military tested Infrasound directional propagation using Ballet Dancers because their skeletal resonance frequencies..." His voice suddenly distorted into electronic static as Li Eun-hee's recorder automatically played news broadcasts about a subway explosion from 2001.
On September 5, 2002, at 06:55, I stood inside an anechoic chamber in the acoustic laboratory with an Infrasound generator locked at 17.5 Hz. When the frequency amplitude broke through critical levels, blood-red musical notation suddenly appeared on the chamber walls—it was precisely measure 55 missing from Requiem.
Using ultraviolet light to scan the musical lines revealed they were woven from hair taken from children at a Church Orphanage. "Spectral analysis complete." The voiceprint expert's fingers trembled. "The Olympic song in the background is actually from the 1992 Barcelona Olympics version, but this case's Crimson is dated to 1988..." His lenses suddenly shattered, and flying shards formed Cui Meishan's student ID number on Bulletproof Glass.
As I rushed out of the laboratory, my phone received an emergency report regarding a Rooftop Water Tank: that dried corpse discovered in 2002 had vocal cord tissue showing traces of Smallpox Virus that had been extinct since 1986. Even more horrifying was its viral gene sequence—it contained genetically modified markers deciphered only in 2005.
At that moment of dual-frequency superposition, I mixed together recordings from the Confessional Room in 1986 with Crimson from 2002; after Fourier transformation, standing waves formed on the spectrum graph at 5500 Hz.
When the 3D printer replicated the frequency of the Sound Wave Model, the Gypsum Structure astonishingly matched the Cochlea Shape of the Rooftop Water Tank perfectly.
"This is the Spacetime Resonance Cavity," the Physicist said, his face pale during the Video Conference. "As long as we excite it at a Sound Pressure Level of 55 decibels, we can make the Specific Object Quantum Tunnel to the past..." Suddenly, his image froze, and he developed a Vocal Cord Scar identical to that in Crimson.
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