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墨書 Inktalez
On September 7, 2002, at 06:17, the titanium alloy wheels of the wheelchair scraped across the church tiles, sparking fifty-five times, while Cui Meishan's plaster model shattered in the morning light. I donned atomic force microscopy gloves and extracted clusters of nano robots from her cochlea—each spherical body, measuring fifty-five micrometers in diameter, was etched with the Olympic rings.
"These are magnetorheological fluid-driven nano knives," the military expert's voice trembled over the video conference. "This assassination device, which went into production in 2015, can autonomously reconfigure into a miniature chainsaw at fifty-five degrees Celsius..." The image suddenly distorted, and his pupils reflected projections of Cui Meishan's medical records from 1986.
I placed the nano clusters into the magnetic resonance imager. As the magnetic field strength rose to 5.5 Tesla, they abruptly arranged themselves into a map of the Seoul Diocese. Under ultraviolet light, church ink revealed top-secret military codes on the nano surface: Project 55—this was a human experimentation initiative that powered Olympic venues using the bioelectricity of fallen dancers.
On July 23, 1986, at 19:55, Li Eun-hee discovered boxes of white ballet skirts in Cui Meishan's sanatorium, each waist cinched with miniature hydraulic devices. When she scanned the ward with a laser rangefinder, she found that all wheelchair tracks on the floor formed a Fibonacci sequence—each turning point corresponding to coordinates of a crime scene.
"These are test data for magnetorheological dampers," a veteran engineer illuminated the wheelchair armrest with an ultraviolet lamp. The hidden liquid metal displayed the date of 2002. "With just a fifty-five hertz vibration frequency applied, the wheelchair can transform into an electromagnetic cannon launch pad..."
As alarms blared, Cui Meishan's bedside monitor suddenly played news from 2015: five corpses clad in nano protective suits were unearthed from beneath Sacred Heart Hall. In Li Eun-hee's pupils, the electrocardiogram waveform synchronized into sheet music for Requiem.
On September 7, 2002, at 08:42, I simulated the wheelchair's movement trajectory on a quantum computer. When parameters were input for the fifty-fifth iteration, the holographic projection suddenly materialized. Cui Meishan's wheelchair disassembled and reformed in mid-air, revealing a cold fusion device within a dark chamber—this was the energy source for the rooftop water tank and infrasound.
"Evacuate the lab!" The magnetometer readings exceeded fifty-five Tesla thresholds as all iron objects spiraled toward the wheelchair model. When the electromagnetic pulse subsided, residual nano robots on the floor arranged themselves into a church cipher; the translation read: Countdown 55 minutes.
The mass spectrometer activated unexpectedly, detecting flame retardant components developed in 2015 on the leather of the wheelchair. More chillingly, X-ray diffraction revealed that human teeth were sealed within the wheelchair frame—the dental records indicated they belonged to a church priest who had died on September 7, 2002.
On July 24, 1986, at 02:17, Li Eun-hee infiltrated Military Warehouse No. 55 where a hydraulic press was forging bloody ballet shoes into superconducting coils. Scanning the assembly line with an infrared thermal imager, she discovered that each forging mold was engraved with latitude and longitude coordinates of Olympic venues—these structures would precisely be completed twenty years later directly above the crime scene.
"Resonance energy transmission system," Cui Meishan's voice echoed from above in the warehouse beams as her inverted figure swayed at a fifty-five-degree angle. "When all five venues are activated simultaneously, every dancer's heartbeat will become..." Suddenly unleashed infrasound shattered the thermal imager; images of explosions from 2015 lingered on Li Eun-hee's retina.
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