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墨書 Inktalez
Celine remains silent, Typhoeus doesn't say a word, and the road traveled by both humans and gods is not much easier for her alone. This road vaguely reveals the dissatisfaction of the gods—look, she has taken thirty-six thousand steps and still can't finish it. As long as he is willing, she could probably walk for another century, and this road could continue indefinitely. She deliberately agitates, originally the emotions of the gods are not under her control, but can they be influenced?
Suddenly, her steps become brisk, and she effortlessly recalls everything that deities used to love to hear.
Celine has a lot to say, and there are many days to talk about, but she doesn't want to. Even if the earth collapses and the sky falls, if she doesn't want to, not even a god can truly threaten her. Gods can only transcend mortals in life and death, but Celine is indifferent to life and death, insisting on pursuing an ideal and elusive meaning.
"Everyone is rushing elsewhere, rushing towards the future, busy and never looking back, but no one has ever been able to reach the depths of their own heart," said a philosopher. That year, Celine was only twenty years old, and she was still concerned about where last year's new snow had wandered.
But now, Celine has long forgotten the years, naturally ignoring the hidden meanings behind a long string of age numbers. The mailbox at the door will never grow again from the moment the branches were sawed off, and lifeless wood, even if death comes, is just a waste of time.
She stopped her cheerful pace and, in a state of uncontrollable joy, reached out her right hand in front of Typhoeus.
The man bent down, and they seemed to be meeting for the first time. Celine did not get the control of the other hand as she had hoped, but she fixed her gaze: her own right hand was lying with a noble head, gradually distinct brown hair, a bitter breath pervading around them, so the whole scene seemed strange and unusual.
If you use a mountain as a canvas, it's best to find a wilderness. Similarly, if a painter chooses the night, it's best to leave a glimmer of light. There is too much lack of distance and moderation between them.
Typhoeus wants to take Celine to a place. He realizes that the human in front of him, although still in the same body as before, has undergone a profound change in soul. The human form is nothing but a crude copy of the deities, a replica left on earth with the permission of God. No deity would approach a human like Typhoeus did with Celine to get to know them.
Typhoeus saw with his own eyes, or more precisely, he himself brought about her transformation.
When is a person most divine... The great poet Dante in human history, succinctly expressed the truth of the universe - "It is love that moves the sun and the other stars."
Yes, only when she is inspired by what she loves. Love is the most divine ability of a person.
For Celine, this "love" is the return of Uranus before the smoggy days, it is the "Typhoeus" full of redemption after Uranus is imprisoned. However, now Celine has seen too much, and has never before deeply and thoroughly realized: the greatness of love is built on an extremely beautiful tragedy, so she willingly gives up this divine power.
The trap of Typhoeus is intricately linked, and Celine walks as if on thin ice, with every step filled with trepidation, utterly unable to escape.
What is in the world of mirrors?
Typhoeus brought Celine to the Memory Sea outside of Ark. The residents of the myth know that being exiled to Abyssal Hell by God is a great pain. But there has never been any writing about the indescribable horror of the Memory Sea outside of Ark. She thought that perhaps those who were lucky enough to see this scene might not have the privilege of being sent back to the real world by a friendly deity.
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