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Little Lotus
墨書 Inktalez
She is as twisted as a napkin flower, unable to resist boasting about her beauty, yet unwilling to be just a flower, always eager to demonstrate the practical value of being a napkin. Floristry itself emphasizes beauty, requiring careful maintenance and attention to detail. The more beautiful the flowers, the more precious they are. If someone rushes into this field without careful consideration, they may end up wasting half their life. Although the threshold for flower arranging seems low and open to anyone interested, seeking real improvement is not easy.
She also finds it strange that there aren't so many people with such big ideas. Some learn the piano for a few days and dream of becoming a pianist, while others with a little sketching ability dream of becoming an artist.
How can there be so many ordinary and confident newcomers in floristry as an art? They stumble and run clumsily even when walking, each of them feeling exceptionally talented and wanting to create their own style, without considering whether they have the necessary qualifications.
In Xiao He's view, the whole world is dull and uninteresting. She doesn't care about anyone because, to her, the true essence of life lies in discovering beauty. And if you were to ask her what beauty is, each time the answer would be more or less the same, revolving around "flowers."
Still only fresh flowers, Xiao He does not recognize dried flowers. She feels that dried flowers are unnatural and disrupt harmony. Only fresh flowers are the best interpretation of truth, goodness, and beauty. Fresh flowers will eventually wither, just like the beauty that will fade sooner or later - "Often only things that are certain to be lost will be cherished by people." Despite her young age, Xiao He appears somewhat mature when encountering flowers.
Her master commented on her: "Not very skilled, but not lacking in confidence."
Xiao He has a habit of transforming herself. She always thinks of herself as a vessel, but not a glass vessel lacking texture. She strives to become an elegant and dignified blue and white porcelain in order to appear as a qualified carrier.
Most of the time, Xiao He is just as her master described: not very capable, but not modest in speech. She contributed the most outstanding scene in a classic interview with floral artists - "Beauty has no master. What we call beauty should be something else. True beauty is actually indifferent to everyone, that's why it's unknown. A floral designer is a messenger of beauty, and beauty is a responsibility for them. People who are ugly should not think about doing floral art."
It sounds like preaching, really shocking. After hearing these words, what do you think, you must be curious, Xiao He is not very capable but dares to speak arrogantly. What kind of celestial appearance does she have, to claim to be a true messenger of kindness and The beautiful.
One you will never dislike at first sight, and may like at second glance. The more you look, the more you define her as a classical beauty with enduring charm. She is not flashy, with a graceful and gentle demeanor, just like a domesticated Water Lily, always waiting and longing, becoming even more shy and endearing when a breeze comes, evoking sympathy.
Tradition seems to be engraved on Xiao He's spine, deeply ingrained in her marrow, it is her repeatedly emphasized, unyielding, and unyielding artistic attitude towards others.
Tradition is Xiao He, and Xiao He is tradition. She claims to be an absolute retro enthusiast, firmly opposing all innovative actions. Only those who are devoted to inheriting the traditional Chinese floral art can be considered true floral artists. As for others, they are just green ducks rushing under the tide.
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